Tom Jones International

Please don’t forget the Swptember Question of the Month (below)!

It was a one-sentence review, but People Magazine gave Praise and Blame 3.5 stars this week. The only other album reviewed to do that well was God Willin’ & The Creek Don’t Rise by Ray LaMontagne (whom I am going to see in concert tonight at one of the greatest venues anywhere).

Sir Tom Jones has added his name to the list of performers who will appear at Twickenham Stadium September 12 in a benefit for Help For Heroes, an organization that aids England’s service men and women.

Also at the event will be Robbie Williams and James Blunt, among many, many others.

Tickets range in price from £60 up to £155 depending upon location and amenities.The profits all go to the cause. Tickets are available here.

Please do not forget to answer the September Question of the Month below!

On September 15, Sir Tom will be performing Praise and Blame at Union Chapel in London.

This appears to be a rather singular venue with moderately priced entertainment of an unusual sort. For example, actor Tim Robbins is doing one of his few European gigs there with his band. Tom’s show there will be £30 + booking fee. Tickets are being sold through LiveNation.

It will be curious to see how the P&B-only set is received.

(Moderator’s Note: Several days ago I was invited by a public relations company in Las Vegas to interview a singer who is playing The Pearl, the outstanding venue at The Palms Hotel and Casino. I had heard this guys’ music when I was writing about Ethan Johns, who produced his first three records. I liked what I heard and was, thus, eager to do the interview. Maye you’ll like Ray LaMontagne’s music, too. Check out the interview in theHuffington Post.com)

OK, Praise and Blame is out and has been very well-received everywhere. So, now, let’s pause a moment and think of what is coming next.

The TJI September Question of the Month is:

What do you think is the best follow-up album to Praise and Blame? And, why do you think it is the best?

Yesterday, August 30, BBC Radio Wales presenter Mal Pope hosted a two-hour tribute to Sir Tom Jones on the occasion of his 70th birthday. Maybe this was broadcast earlier — like, say, on June 7 — but I don’t think so.

Anyway, it is a lovely show with lots of tributes, a partial replay of Sir Tom’s Latitude Festival interview with Bethan Elfyn on BBC Radio Wales and some reminiscing by people who knew Tom when.

It is posted in two parts and you’ll find it in the TJI Video Library. (There’s a strange grinding noise at the beginning of the show. That’s the broadcast, not an error I made. And, there might be a break in the recording for news. Sorry, didn’t have a lot of time to edit.)

And! I awoke to an email from someone on the BBC Radio Wales Call-In Show asking if I was interested in participating in a discussion of the question: “Who looks better at 70…Cliff [Richard, — photo right — from his new calendar] or Tom?” Even if the guy who wrote knew I live in Las Vegas and there’s an eight-hour time difference I wouldn’t have been interested in participating. But, while they were able to find a fan of Cliff’s the best they could come up with for Tom is Gwen Russell, author of that awful, rumor-laden, gossip-heavy, full of old-news biography of Tom. She is the worst kind of celebrity leech and never talked to Tom for the book. Now, she’s acting as if she’s his official spokesperson. Gross.

Anyway, the show was silly and pointless. If you want to hear it, go here and forward to approximately 1:35.

Chart Update: Praise and Blame is #32 on the UK Top 100 album chart and #35 on the Scottish charts.

First, a note: Gail has written TJI saying that at the Friday, August 6 show at the MGM Grand a fan took photos of her and her mother with their British flags. With permission, they were on the stage after the show. She was hoping, since the photographer had asked her about TJI, that the pictures might have been sent to me. They haven’t. But, if you are the photographer, please email the photos using the “contact” link below right and I’ll pass them on.

So, for today we have about 12.5 minutes of a half-hour interview Sir Tom did on Jazz FM Radio in the UK with presenter Anthony Davis (with Tom at left) that was broadcast July 29. Oddly, Jazz FM is not an FM station and, also oddly, the entire interview was not posted. This is a jazz outlet, so there’s a bit of Satchmo’ and Sir Tom gives his definition of the term “jazz.”

And, after a couple of views and four requests, I’ve decided to post this season’s thus-far “wow” performance on the UK show X Factor. It’s a 50 year-old Irish grocery store checker named Mary Byrne singing a stunning rendition of I (Who Have Nothing). Check it out here. And look for a big smile from Simon Cowell. (The other judges are Louis Walsh, Cheryl Cole and, on this episode, seated between Walsh and Cole is guest judge Katy Perry. Producer and judge Simon Cowell is bringing the show to Fox in the USA next year. This episode was recorded in Dublin.

Personally, Tom’s version (especially the updated one he did on Mr Jones) is still my favorite but I think Byrne’s take beats Shirley Bassey’s by a mile.

As usual, if you cannot play it, drop me a line using the “Contact TJI” link at the bottom right and I’ll email it to you.

And the radio interview? Of course, you can listen to it in the TJI.com Video Library.

Finally, a bonus: Sunday night the Primetime Emmy Awards celebrating the best in primetime American television, were broadcast.

For the last several years the Emmy Awards have gotten very low ratings and, I’d guess, this was the producers’ attempt to recoup. You’ll especially enjoy this clip if you watch Glee and, since it is broadcast in so many countries worldwide, I figured there’s be a good chance you are familiar with it.

For an award show it was spectacular and it got started on a high note that was maintained throughout the entire three hours.

I loved this number, just smiled the entire time it was on and I thought, even though it’s not TJ-related, it’s worth posting. I think it’d be great if Sir Tom were to do a visit to Glee as Madonna, NPH, Kristen Chenoweth and lots of others have done.

You’ll recognize the evening’s host, Jimmy Fallon (it was on his show that Tom played with The Roots band), and lots of others, including many from the cast of Glee and cast members from 30 Rock (Tina Fey), Mad Men (John Hamm), Lost (Jorge Garcia) and others, including Tim Gunn from Project Runway,

I hope you enjoy this performance set to Bruce Springsteen singing the terrific, rousing Born To Run as much as I did.

I will admit it. When it comes to press I am picky. From reading the article below, I’d guess — and I may be wrong — that the writer didn’t interview Sir Tom. Rather, it seems as if he picked quotes that were already published and retold many anecdotes. If that’s what he did, then he did an OK job, although there is stuff I’d rather had been omitted. These days, does anyone care about rehashing personal stuff? I think Tiger Woods was, finally, the straw that broke that camel’s back. Fact checking, too, was a bit lax. When did Tom sell “Dean Martin’s house” to Nicolas Cage? A decade ago? But, It is nice to see something in-depth that takes Sir Tom seriously and doesn’t make fun of Las Vegas. And, in 2005, two people I know very well had a conversation with Sir Tom about his favorite singers and the best voices around. Favorite? He said, as you might expect, Jerry Lee. Best voice? His own. And on that count his is 1,000 percent correct, isn’t he?

I can’t think of anyone around who sings better than me’ Welsh crooner Tom Jones on his latest comeback

By Jon Wilde / Daily Mail / Last updated at 10:04 PM on 28th August 2010

To experience the full force of Tom Jones’s voice, try sitting two feet away from him as he belts out the chorus to It’s Not Unusual. Tom Jones sings like other people breathe. He just can’t help himself. Mention any of his 38 Top 40 hits and he’ll generously treat you to a few bars. And, when he sings, there are no half measures – he gives it everything he’s got.

The Welsh rock star Cerys Matthews got it just about right when she said that hearing Tom sing up close was like standing in a tunnel with an express train speeding towards you. Not for nothing is he universally known as Jones The Voice.

‘I’m sure I’ve been singing from the moment I sprang out of my mother’s womb,’ he says. ‘The second I’m out of bed I’ll start singing, usually some old country song. I sing in the shower. I sing in the car. I never bloody stop.’


Jones recently celebrated his 70th birthday but the power of his voice remains undiminished.

‘Actually,’ he says, ‘I think I’m in better voice now than I ever was.’

To his astonishment, along with everyone else’s, his career continues to hit new peaks. In the past few years, and not for the first time, it was widely assumed that he’d had his day.

Despite reaching No 1 with an all-star charity version of Islands In The Stream in 2009, the hit singles were hard to come by. His new albums were struggling to reach the Top 40 and even his greatest hits compilations were performing badly. After selling 150 million records and earning a fortune of £175 million, Jones’s career seemed to be in terminal decline.

Even his record company seemed to have lost all confidence. Earlier this year, on the eve of the release of Jones’s new album, the pared-down gospel/blues of Praise & Blame, Island Records’ vice president David Sharpe sent an email to colleagues asking whether the record was some kind of sick joke.

‘Pull back this project immediately,’ he demanded, ‘or get my money back.’ The email was leaked and spread like a virus around the world. Jones was furious. But he would have the last laugh as the album was greeted by his most ecstatic reviews in years and shot up the charts to vie for a position at the top with Eminem’s Recovery.

It has proven to be his most successful release since 1999′s Reload. Naturally, he feels vindicated. ‘For a record company executive to condemn an album before anyone has heard it is the most stupid thing ever,’ says Jones.

‘This guy’s objection to it was that the songs weren’t what people would expect from Tom Jones. What exactly would people be expecting from me?

‘I’ve been releasing records for 46 years. I’ve always been into all kinds of music. Growing up, gospel music was as important to me as rock ‘n’ roll. Religion was important in those days in terms of the local community. Every Sunday I’d go to the Presbyterian chapel.

For remaining 3,094 words in this story and three more nice photos, please click here to Read the rest of this entry »

According to tj.com and several news outlets, a “double A-side” release of Run On / Didn’t It Rain is set to come out in the UK on 20th September through Island Records and will be available as a limited 7″ single and digital download, which comes with the added bonus track of Lord Help. No word on any US release yet.

The site also said that Praise and Blame has reached gold status. In the UK, a record is certified gold by the British Phonographic Industry (BPI) when it has shipped (not “sold”) 100,000 units; a platinum, 300,000 units. (In the US, Recording Industry Association of America (RIAA)-certified gold status means 500,000 shipped; platinum, 1,000,000 units shipped.

Mazel tov, Sir Tom!

You will absolutely want to read the review posted below! It says, at the top, “Jones is aging with Paul Newman’s elegance and grace. Amazing grace, as it happens; Jones’ new release, Praise & Blame, his latest in a catalog exceeding 60 studio, live and greatest hits albums, is a raw, raucous, Gospel-drenched, Soul-infused marvel.” And it gets better from there!

Tom Jones: Praise & Blame

By Brian Baker/CityBeat.com (Cincinnati, Ohio) / August 17, 2010

If there was any justice, the panties thrown at Tom Jones these days would be the size of parachutes, but the fact is that Jones, who turned 70 in June, has built an audience populated with the granddaughters of his original fans. He covered Prince’s Kiss with Art of Noise in 1988, and his 1999 album Reload was a set of hip cover duets with the likes of the Cardigans, Portishead and the Stereophonics. Jones is aging with Paul Newman’s elegance and grace. Amazing grace, as it happens; Jones’ new release, Praise & Blame, his latest in a catalog exceeding 60 studio, live and greatest hits albums, is a raw, raucous, Gospel-drenched, Soul-infused marvel.

Jones has long claimed Mahalia Jackson as an early influence and he proves it conclusively on Praise & Blame, a collection of traditional and contemporary songs concerning the search for salvation. Jones opens with a reflective acoustic take on Bob Dylan’s What Good Am I, his extraordinary voice exhibiting equal measures of restraint and power over the track’s tribal pulse, followed by Lord Help, an explosion of snarling Blues electricity. Jones goes pure Gospel on Did Trouble, swings with chapel-rattling force on Sister Rosetta Tharpe’s Strange Things Happen Every Day and tears into John Lee Hooker’s Burning Hell with a visceral glee, while his robust and defiant take on Ain’t No Grave stands in stark contrast to Johnny Cash’s end-of-life resignation.

Praise & Blame easily stands among Jones’ best work. If he and producer Ethan Johns translate this vibe into his next Pop album (Rick Rubin and T Bone Burnett must be kicking themselves that they didn’t pull this assignment), Tom Jones’ triumphant return to the top of the charts will be assured.

There were two good things to come out of that idiotic site host indulging in name-calling and unnecessary bitchiness yesterday: TJI had an uptick in visits (always welcome) and I remembered that I hadn’t posted some vid from last month’s Latitude Festival in the UK. I also forgot a slew of photos, screen shots, that are quite good. (And thanks to all of you who sent me such nice notes.)

So, two of those photos are posted here and the rest will be added to the appropriate TJI flickr set in the next few days (I’ll let you know).

Meanwhile, here’s almost 12 minutes of Tom singing at the Latitude Festival. The first few minutes are bits of Strange Things and Burning Hell. This is followed by the complete Nobody’s Fault But Mine and Didn’t It Rain. I included the first part because it gives an excellent idea of what the crowd was like that summer Sunday. The last two songs are very good and it’s especially fun to watch the musicians and singers with Tom. Of course, that’s Ethan Johns with the beard. (If you can ID any others, please email me.)

You can watch it in the TJI.com Video Library.

Moderator’s Note: I had to remove what I called a good review of P&B because I was accused of theft, although I provided a link to the site on which it was posted and noted this guy was knowledgeable about blues. He is not knowledgeable about ethics and courtesy. But, the main reason I posted it was nothing else remotely worth posting came in yesterday and I like the videos he had. What he said was nothing new. So, if you would like to see the videos of Tom doing songs from the album, look up youtube vids of Tom, Sister Rosetta Tharpe (DIdn’t It Rain) and John Lee Hooker (Burning Hell). Do be aware, however, that the latter is not a “real video” or a particularly good version.

As for that guy to whose site I had the gall to link openly and with praise, when I saw the ultra-personal, name-calling post he wrote about me elsewhere, I commented as follows: “Mr. Boles you have called me names, threatened me and been generally rude. I linked to your site and gave you substantial credit for being knowledgeable. I’ve removed the offending [post] without resorting to name-calling or posting your private information all over the net. A simple, private email to me would have accomplished the same thing. In fact, I received your email about my “theft” at 9:24 am PDT and it was removed at 9:28 am. PDT. That was before I saw the nonsense [you wrote about me]. One must ask if you favor execution for someone who steals a car or wallet. You clearly don’t believe in “let the punishment fit the crime.” Ridiculous. But, on the other hand, you helped to publicize my site and given more publicity to a most worthwhile recording, so I must thank you.”

Turns out, his diatribe against me and posting of TJI is good publicity as the number of visits to TJI have shot way up this morning. Maybe those people will return. Thanks to all the regular visitors to this site who emailed me about this but, I must tell you, I care a great deal that you feel as you do but do not care about this self-important, shameless self-promoting person. The issue, like the mind of the person who raised it, is smaller than the proverbial tempest in a teapot. It is, rather, just crap and should be ignored.

Tom On TV: Except for the few minutes of an hour Sir Tom is likely to get, it all sounds very 1950s, the kind of thing that killed old-fashioned variety shows, doesn’t it? Whatever, various news sources are reporting that:ITV has confirmed that Paul O’Grady’s new program will launch on September 10. Paul O’Grady Live! is billed as a “lavish new entertainment show and a perfect part of the weekend. There will be crazy games, stunts and big song and dance routines as well as few special surprises and Paul will be touch with viewers across the land live via Skype,” the network confirmed. Sir Tom Jones will be among O’Grady’s guests on the first show. The presenter will also make his “acrobatic debut” alongside Britain’s Got Talent winners Spellbound. More guests have still to be confirmed.

Below is a review of Praise and Blame. It was published last month in The New York Times, written by Stephen Holden, one of the papers two worthwhile film critics. I just came across it and am happy I did, as I didn’t see it on other TJ sites. Like so many others, Holden liked the album, but the last sentence of the review, especially, is terrific. He gets it!

Photo of Sir Tom leaving the MGM August 18, 2010. Thanks to the person who sent it.

TOM JONES: Praise and Blame

By Stephen Holden/The New York Times/July 25, 2010

Praise and Blame finds Tom Jones on his knees trembling before God. This studly Welsh baritone, now 70, certainly has the voice to make a lean, tough country gospel album. His baritone, gnarly textured when he sings softly, is still the roar of a Samson when he belts. Mr. Jones may not express the rock-bottom Christian fatalism of Johnny Cash, but he still conveys the contrition of a penitent sinner as he delivers a mixture of traditional spirituals and contemporary gospel songs tautly arranged for a small band. The group includes his producer, Ethan Johns (Kings of Leon) on guitar, Jeremy Stacey on drums, and Dave Bronze on bass; Booker T. Jones, B J Cole, and Gillian Welch make guest appearances. The florid, brassy arrangements of his most famous hits are nowhere to be heard on a record that doesn’t waste a note

Outstanding cuts include Bob Dylan’s knotty What Good Am I? growled in a near murmur to an accompaniment of funereal drum beats, Mellotron, and guitar. Susan Werner’s Did Trouble Me, whose narrator regrets the years wasted not heeding his conscience, sounds like a spiritual cry in the wilderness. Burning Hell, John Lee Hooker’s stormy blues, follows him “down to the crossroads in fear and trembling,” where he considers making a deal with the Devil. Billy Joe Shaver’s If I Give My Soul is the prayer for another chance from a roustabout musician who lost his family to wild living while “traveling with the Devil’s band.”

Mr. Jones’s sudden swerve into the devotional apparently took his record company by surprise. A leaked internal e-mail message from a vice president of his British label wondered if Praise and Blame was “a sick joke.” It isn’t. It is a respectful, expressively focused exploration of a genre beloved by Mr. Jones’s American counterpart, Elvis Presley.