Tom Jones International

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Archive for January, 2009

Did You Just Get Home From Seeing Tom Jones In Las Vegas?

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If you just got back from Las Vegas (or are still here and went to a show, or two, or three….well, you get the idea), let us know how it was. It’s kind of quiet here now, but this coming weekend is the Chinese New Year weekend (the Year of The Ox begins Monday, January 26) and it will get very crowded around Las Vegas.

It’s been great — as it is whenever Tom is here — seeing old friends and making new ones and/or meeting people you’ve only known through the internet. And more of the same is expected next weekend. But visitors are here for the shows and it’s always wonderful when the shows are shared. So, please, take some time to let other fans know how it was.

A Great Day For the USA And, Probably, The World

picture-43Because tomorrow is Inauguration Day (and today is Martin Luther King, Jr. Day) and is being wildly celebrated because, no matter for whom they voted, polls show most Americans are so hopeful and looking forward to a new beginning. There’s all sorts of merchandise being offered in commemoration of this big day for Barack Obama and the United States.

I was particularly struck by this from TimeLife:

“Just in time for the inauguration of our 44th President, Time Life is proud to present the Official Inauguration Collection inspired by President-elect Barack Obama’s message of change, hope and unity that rang throughout his historic campaign.

“The Official Inauguration Change is Now Commemorative CD/DVD Collection features:

1 CD with 18 songs by renowned performers like Stevie Wonder, Sheryl Crow, Will.I.Am, Maroon 5, Melissa Etheridge, Lenny Kravitz and many more

“Seven songs written exclusively for this collection!

“1 DVD featuring eight of President-elect Obama’s speeches made during his campaign, totaling over 3 hours of material including: Announcement for PresidentSpringfield, IL, February 10, 2007,
22:03; A More Perfect Union Philadelphia, PA, March 18, 2008, 37:24; Election Night Victory Speech Chicago, IL, November 4, 2008, 17:16.”

It sells for $29.99.

This site has until now only offered items directly involving Tom Jones, but this is such a special event that a decision was made to make an exception. It’ll be posted for several days and, if you check it out, you’ll see that it’s a terrific set to have for yourself, your kids or, now or in the future, your grandkids.

(TimeLife ships only to the USA. If you live outside the USA and would like this set, please href="http://tomjonesintl.com/wp-admin/post.php#" mce_href="http://tomjonesintl.com/wp-admin/post.php#">email me. I’ll be happy to help you get it for exact cost plus postage.)

OK Boston (& Northeast) Fans! Tom Jones HOB March 1

Keith, Jared and all of you in Boston and the northeast can see Sir Tom Jones March 1 at Boston’s HOB. (Check out the sound clips posted there. Unusual, to say the least.)

Tickets (on sale now) are $55 and $65.

Since the show is a Sunday night, it’s a fair bet — but totally unconfirmed — that Tom will be in Atlantic City Friday and Saturday (or around that time) and then travel the 271.20 miles (436.44 km) to Boston for the Sunday show. One can also hope he’ll play the New York City area in a similar venue, too. Live Nation, the company that is devouring the music world, has nothing listed yet on their site, but it’s not too late. And, by itself Live Nation is an interesting story. Check it out.

Meanwhile, a venue like HOB is a must-see as it’s so different from most others.

Finally! That Opening Night Review — Tom Jones At the MGM Grand

g-leftneon-11-16-09With a new opening — sound bites and bits from 24 Hours — Tom bounded on stage Thursday night to a terrific reception.

At our table of fans who closely follow his career there was a gasp when Tom came out….the first thought was that it was the light but, no, it was Tom himself glorious with gray hair. It was difficult to get used to, but nonetheless lovely. Dressed in a black tux with an orangy-red lining, he got right down to business with I’m Alive. (The full set list is at the bottom of this post.)

After the show, that fabulous super-fan from Florida, BeBe, said, “It was a shock to see him at first, but he looked great.”

As has been noted here many times, the first show in January (or any show following a long vacation for Tom) is the best show of the year in so many ways. Coming off a few weeks of not performing, Sir Tom is always eager to be back and in top form.

Aside from the new opening, of note in the show were a few problems with new lighting, a new opening for Delilah due to an electronic glitch and, when the band began to play If He Should Ever Leave You, Tom began to sing The Road,

The music stopped, a small conversation between Tom and his ace MD Brian Monroney ensued: “What is this? I thought it was The Road.

“No, it’s this song, but if you want to do The Road now, we can.”

“That’s all right. We’ll do this one.”

Then, turning to the audience, Tom said, “We got in late today. They rehearsed. I didn’t.”

And the show went on.

It was a terrific night. As BeBe said, “I’ve never seen a show like this before. He was wonderful and cute.”

The crowd, as are crowds all over Las Vegas these days, was sparse. It’s a bad time in this city that symbolizes plenty and excess to many people. Shows and restaurants and businesses are closing. Some casino companies are on the verge of bankruptcy. So the fact that there were fewer than 500 people at a show in a room that seats more than 700 is not bad at all.

In the crowd, by the way, was singer Clint Holmes. He was with 25 people and thoroughly enjoyed the show.

The set list was: I’m Alive, In Style and Rhythm, Help Yourself, Seasons, Delilah, 200 Pounds, End of the Road, If He should Ever Leave You, The Road, Here’s That Rainy Day, Fly Me To the Moon, Ol’ Black Magic, Grandma’s Hands, Git Me Some, She’s A Lady, I’ll Never Fall In Love Again, Green, Green Grass of Home, What’s New Pussycat, You Can Leave Your Hat On, Sex Bomb, It’s Not Unusual and, for the encore, Give A Little Love and Kiss.

If you see Tom in Las Vegas, please share your experience with other fans.

Because of the intense interest — the original posting of the photo brought more comments than everything except one other post on this site — the photo at left was reposted from below. Again, thanks to the fan who sent it. At right is the cover of Neon, where Mike Weatherford’s article (just below) appeared Friday.

New Tom Jones Interview: “A Great Tradition —” Tom Jones In Las Vegas

Mike Weatherford, resident critic here at Las Vegas’ daily newspaper is, as we’ve noted before, a Tom Jones fan (and a nice guy). He talked to Tom last week and his report follows. There will be a review of Tom’s show posted later. And we agree with Tom — Las Vegas is cool (and, sometimes it’s funny, but more about the Mob Museum at another time).


INTERVIEWS: Tom Jones

A Great Tradition: SEX BOMB TOM JONES CONTINUES LONGTIME LAS VEGAS AFFAIR WITH MGM GRAND PERFORMANCES

MIKE WEATHERFORD/Las Vegas Review Journal/January 16, 2009

Tom Jones’ first U.S. album in years lets him look back while maintaining forward progress.

Tom Jones is on the phone while catching some rays by his pool in Beverly Hills, which even in January is exactly where you would expect him to be.

Sure, he’s 68, but that hasn’t stopped him from being Tom Jones. In fact, he has worked his age into the persona. The singer didn’t want to make just another album for 24 Hours, his first U.S. release in 15 years. So he made one rich in autobiographical resonance, with both the music and lyrics tying back to his 43 years as a sex bomb.

It all started with Bono, explains the singer, who plans to perform as many as six of the new songs in his MGM Grand shows through Jan. 28. The two met in a Dublin nightclub more than two years ago, and Jones said, “I’d love you to write me a song.”

“(Bono) said, ‘OK, but if I’m going to write one, it’s going to be about you.’ ” The two went on to discuss Jones’ past, with Bono confessing, “When he was a kid, he saw me on TV and he liked the way I dressed as well as the way I sounded. So all that stuff is in the song.”

When the two met up again in another club — this time in London — Bono sang the rough product of his labors with U2-mate The Edge and writing partner Simon Carmody.

The tongue-in-cheek ditty called Sugar Daddy captures the Tom Jones swagger by proclaiming “I’m the last great tradition” and boasts, “You don’t send a boy to do a man’s job.” But it also confesses, “the older I get, the better I was.”
…….
“But you get a blues singer, and nobody’s concerned about his age. … With blues singers, people seem to enjoy that these men have experienced life. And I think maybe this is what happened with this (album) as well.

“Maybe it’s because I’ve been around a long time, I think these songs are more fitting now.”

After Bono went through the lyrics, he pointed out “That information you gave me in Dublin, there’s a lot of that in this song.”

“I said, ‘Well, do I get writer credit?’

“He said, ‘No.’ He didn’t even think about it,” Jones recalls with a chuckle.

The singer remembered Bono’s approach — and took corrective action for royalties — when the original recording sessions stalled out.

The first idea from S-Curve label head Steve Greenberg was to reinvent forgotten or little-known songs. That yielded the opening tune, Tommy James’ I’m Alive, as well as an eyebrow-raising Bruce Springsteen obscurity about a jaded boxer, The Hitter.

…..

And his reply, “No matter where I’ve been or what I’ve done, the road always leads back to Linda,” his wife of almost 52 years. The Road became one of several songs where “I was coming up with ideas, and the songwriters were working on that. They would come up with lyrics, and I would put them into my own words.”

Musically, Jones admits the ’60s-cool sound of Amy Winehouse’s blockbuster Back to Black album helped chart a course. He had suggested a retro approach in the past, but says record executives told him, “Oh no, that’s old stuff. It won’t work again.”

“So thank God, when Back to Black came out. I said, ‘There you go. It can work.’ It’s in a new form with new sounds, but the arrangements, the vibrance of it, is definitely ’60s.”

The first U.K. single, If He Should Ever Leave You, even samples the horn riff from Jones’ 1967 song I’ll Never Let You Go. The singer says he found a great vintage microphone in a Los Angeles studio, which is important because he has been known to blow them out.

….

Last March, the keepers of the fan site Tom Jones International made an onstage presentation marking the singer’s 40 consecutive years on the Strip. “Now Vegas is looked at as being cool. It was always cool to me,” he says.

For the entire article, follow the link above.

Tom Opens In Las Vegas: Ladies And Gentlemen, This IS Tom Jones (Au Naturel!)


Sorry for the brief post and the quality of the photos….but it was an exciting night and it’s late and I have to be at a meeting in the morning…BUT!!!

These are photos of Tom at the MGM Grand Thursday night. Notice anything?? (Except that at a higher res the original photos have better red tones?)

That’s right!

When three fans at Table 5A — the only long-time, diehard fans at the show who are “regulars” at the Hollywood Theatre — complimented Tom on his gray hair and beard he at first made light of it, saying he didn’t have time to dye it. Later he said from now on it’ll be “au natural.”

The consensus is that he looks terrific….as for the show, I beg your indulgence but you’ll have to wait until later….There will be a review, a set list, at least one funny thing and some new stuff…..And, too, look for the article from the newspaper that will be posted here.

Sir Tom Jones Back At The MGM Grand Tonight!

Sir Tom Jones opens at the MGM Grand tonight for two weeks and, at long last, he’s getting the full court press he deserves.

His shows been named in the Top 10 and Top 5 Las Vegas entertainments. People everywhere are waking up to the wonder that is Tom Jones. And tomorrow there will be a long interview in the local daily paper.

What can we expect at the show? Probably six or so songs from 24 Hours and a more seamless presentation. As is usually the case at the first show after a holiday and not performing for several weeks (since the third week in December) Sir Tom will probably be in fine form and rarin’ to go.

A full report will be posted ASAP. And, if you are going, be sure to share your experience with other fans.

Tom Jones’ “24 Hours:” One More Review — “…Jones was always more than he seemed.”

If you checked this site yesterday in either the morning or afternoon, you may have been unable to watch video the in the post below. It is now working just fine, so check it again. It’s a treat.


“NoDepression.com is a very interesting music site that began life in 1995 as an alternative country music quarterly. Here is their review of 24 Hours — another very good review from a US outlet that seems to have the respect of the industry.




Tom Jones doesn’t get enough credit. Older than most pop singers of the late 1960s, Jones was seen as the guy trying to connect with the young and hip crowds while appealing to a much older demographic at the same time. The fact that his concerts became known for the tossing of women’s undergarments made it hard for many music fans to take him seriously.




But Jones was always more than he seemed. His music fit right at the intersection of soul, pop, country and rock, and he was obviously in love with all of it. DVDs of his late-’60s TV variety program display his range of interests and his delight in watching other performers.




His singing was bold, brassy, defiantly machismo, and, at age 68, it still is. For this, his first new release in almost ten years, Jones hooks up with a young English production team called Future Cut. The first half-dozen songs are retro-soul club anthems that could keep the dance floor moving in sequence with Joss Stone or Amy Winehouse.




After a goofy attempt by Bono and the Edge of U2 to force Jones to tell us he’s still sexy when we’ve obviously caught on just by listening, the second half of the record is filled with deeper, more nuanced character songs. Need (Moderator’s Note: Think he means Never), one of many originals Jones co-wrote with his producers, is an impassioned plea to a lover moving away. On The Hitter, a nearly-forgotten gem from Bruce Springsteen’s 2005 album Devils & Dust, he pulls out all the stops, as Jones embodies in turn pride, regret, shame, passion, love, hope, and resignation. You can hear him feeling every emotion in this complex song, the tour de force of a man who has more music in him than most everyone thinks. —Steve Pick

Here’s Video Of Tom Jones Doing Something You’ve Probably Never Seen Him Do Before

(Note: This post is fixed and you can watch the video as of 6 p.m. EST Tuesday. Sorry for the glitch.)








In 1995, Tom Jones was promoting his new CD, The Lead and How To Swing It and he came to Cøpenhagen, Denmark to appear on a talk show.

The host, Jarl Friis-Mikkelsen, had a surprise request for Tom and, being the good sport that he is, Tom complied.

It’s a side of Tom Jones you probably haven’t seen before and it’s lots of fun. Kim Lønberg of the Tom Jones Scandinavian Fan Club sent it to TJI.com. Thank you so much, Kim.

It’s posted in the TJI.com Video Library.

Tom Sings Classic Soul On New TOP CD

The new Tower of Power CD to be released this month will feature guest artists including Tom Jones who will sing the Sam and Dave classic I Thank You.

Sam Moore (the “Sam” of Sam and Dave) will be singing Otis Redding’s Mr. Pitiful.

The CD, called The Great American Soulbook will be released in the next few months.