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Archive for July, 2007

“Tom Jones is sitting next to me!” — A Very Funny Clip From 2000

Here’s a newly posted clip from the same show — Tom singing You Can Leave Your Hat On. Be sure to watch until the end.


on parky 2000“Tom Jones is sitting next to me!”

So exclaims Dawn French on the Michael Parkinson (“Parky”) Show when she and her comedy partner Jennifer Saunders — whom you may remember as the riotous Edina on Absolutely Fabulous — were on the show with Tom in late 2000.

The funniest line? “I hope I’m pregnant by the end of this show.” And a bit later we see her rendition of Meg Ryan in When Harry Met Sally. Subtle? No. Funny? Very.

You can see it all on youtube.

The Deadline Is Near; If You Have Calendar Photos Please Send Them

calendar sample




We’re about to start the final design on the TJI.com Fan Calendar so we can get it to the printer in September and have it ready that month.

If you have any photos you took of Tom, at any stage in his career, please send them. If they’re hard copies we’ll return them, or you can scan then at a minimum of 300 dpi. The sample here was taken by Ralph, who sent it for the project.

Use the email at the right if you have any questions to ask (or photos to send). We are also looking for photos of Tom with fans, too.

If one of your photos is used for one of the monthly portraits, you’ll get a free calendar.

Thanks in advance!

Concert For Diana: Programmes! Programmes! Get Yer Programme Here!

diana programme

You can buy a copy of the program (or, as they say in the UK, “programme”) from the Concert For Diana website. For the US and Canada it costs £16.25, including shipping ($33.28 USD; $35.10 CAD). The site also says there is a DVD of the concert being prepared for release “later this year.”

On eBay the programs are going for hundreds of dollars. Even at the official price we must ask if it’s worth it. (Actually, insofar as Diana is concerned, it’s well worth having. We even considered ordering several and selling them on eBay. But, no.)

But as far as Tom goes, you have to decide for yourself. The 128-page book is a beautiful document commemorating a beautiful woman. But, then, there’s the stuff about Tom. The photo at right is the one they use in the book. It’s from 2003. The copy that goes next to the photo is, like the picture, outdated and, in fact, sometimes downright incorrect:

programme photo 2003“In his native Wales, he is known as ‘Jones the Voice’. Today, he is one of the enduring personalities in the music entertainment business. His unique vocal power, ability and charismatic persona make him one of the most respected, admired and loved performers in modern popular music. His recordings have spanned the spectrum from pop, rock and country to classic standards, rhythm and blues to boogie woogie and rockabilly through to contemporary dance and urban soul, but he is first and foremost a rocker with a true rhythm and blues soul.

“Tom had his first hit single, It’s Not Unusual in 1964 and is still both recording and performing to great acclaim. The millennium saw a shower of honors, among them a BRIT Award for Best Male (UK), Amigo Award for Best International Male (Spain), NRJ Award nomination for Best International Act (France) and Echo Award nomination for Best International Act (Germany). A profile of Tom was presented by Vicky Mabrey on 60 Minutes II and by Lord Bragg for The South Bank Show. Last year Tom released his Greatest Hits package in the UK and US, undertook a massive tour of Europe and was presented with a BRIT Award for Outstanding Contribution to Music. He was knighted Sir Thomas Woodward by The Queen on 29th March this year.”

OK, then, what can we say? The Concert for Diana was July 1, 2007, so the bio — which is almost always provided by the artist’s people — is all out of date. The Greatest Hits CD was released in the US in 2003. The Brit Award for Outstanding Contribution to Music was also in 2003. And Tom had his first hit single in 1965. It was recorded in 1964. And we won’t even discuss the photo used. It’s all so easy to fix and as fans we are frustrated.

We believe that Sir Tom, who really is one of the greats, deserves better.

Walken Dancing + Tom Singing “Delilah” = Great Fun

walkenNewsday, the daily paper on Long Island, has a story today about the much-delayed release of a John Turturro film called Romance and Cigarettes,, a film made in 2005 that will finally have a premiere in September.

As the article says in part, “Christopher Walken will boogie to the Tom Jones hit “Delilah” and Kate Winslet will bump and grind to a production number staging of Elvis Presley’s Trouble in a new flick from John Turturro….an eclectic cast that includes James Gandolfini, Winslet, Walken (who appeared in the film version of Potter’s Pennies from Heaven, and also co-stars in the new Hairspray

Walken is terrific. Just check him out in this clip from the movie. In the still we posted here, Walken is explaining to Susan Sarandon how, “I felt the knife in my hand and she laughed no more.”

Herman Matthews: Between Gigs With TJ, He Does So Much More

hermanWe wanted to take a moment to —belatedly — pause in appreciation of Herman Matthews who, among many other activities, plays drums with Tom.

Multi-faceted, multi-talented, he began to play drums in his uncle’s band when he was 11. Onstage with Tom, he provides the downbeat and backbeat for almost every number. But, in his off-Tom time, he also composes, plays with the likes of Eric Burdon and has played with Richard Marx, Stevie Wonder, the Isley Brothers and Kenny Loggins, among many others. He has the respect of everyone who knows about drummers today. (This last is not hyperbole. Trust us, we’ve asked.)

home at last coverHis CD, Home At Last is a personal statement, a look at his life, the people and music he loves. We’re posting three sound bites from the album.

We Are Heaven is a tribute to his wife. I Am A Drummer From Texas was written about his own life and beliefs. Not Another Lover came about, Herman tells us, “after I heard a track by Ricky Fanté, a young R&B singer. It’s a cross between Sam Cooke and Terence Trent D’Arby and sounds like an old soul record. I thought, ‘I’d like to write a song like that.’”

You can learn more about Herman and hear more samples of his work at his website. Be sure to check out his journal and, if you live in the LA area, there’s a gig list of dates where he’s playing in local clubs. For even more info, and some videos, check out Herman’s myspace page.

You can order Home At Last at CD Baby.

Herman says, “I’m an old-school guy. I like what came before along with what is happening now. And,” he adds, “life should have a soundtrack.”

Hopefully, we’ll be able in the future to write more about “outside” projects from Tom’s other band members and the singers. They’re all so terrific.

Tom’s CD: Bono’s Song, Edge’s Guitar, “one of the world’s great soul singers”

Addendum, July 20: As we’d hoped, the participation of Bono and The Edge in this project is drawing attention from U2 fans which, naturally, means attention to Tom. The Variety article was posted today in English and French on U2France.com and on @u2.com in the US. We are sure it will be on more U2 fansites soon.


Following our posting of the link to the article about Tom (below) and our taking exception to a few minor errors, or omissions, in the article, we got a note from Phil Gallo, associate editor of Variety. He wrote, “Thanks for the link — and criticism. Here’s more info on the new album.”

And he sent the link to this article we posted here (which had the photo below of Tom in his “Monkey” suit at the Diana concert).

We are thrilled to learn that Bono wrote one of the songs on the new CD and The Edge is playing guitar. And producer Steve Greenberg spoke the words that make our hearts sing: “It will be a creative adult album.” It will be worth the wait.

July 16, 2007




More Tom Jones: Aping the Monkeys




monkey suitTom Jones has already recorded three songs for his first album for S-Curve, including one penned by U2’s Bono and featuring guitar work by the Edge.

Jones is working with the same team that helped shape Joss Stone’s albums, specifically Betty Wright and Mike Mangini.

S-Curve owner Steve Greenberg said they intend to drive home the idea that Tom Jones is one of the world’s great soul singers. “This pushes him in several different directions. In 1965, he was a raw R&B singer that might have emerged as England’s answer to Otis Redding. Of course his career went in a different direction, but we’re placing him back at that crossroads.”

One of the first tracks recorded is a cover of the Arctic Monkeys’ I Bet You Look Good on the Dance Floor. Rather than emulate the Monkeys’ recording, for Jones’ version they used Eddie Floyd’s Big Bird as a rhythmic base; Jones unveiled his version at the recent Concert for Diana.

Greenberg said the album is not limited to deep soul ballads and will not be a Motown tribute or a duets disc. “It will be a creative adult album.” There is no release date penciled in.


Click to read more about Betty Wright. Eddie Floyd had the original hit with Raise Your Hand and a stellar career with Stax Records that caused him to be very influential. He wrote Big Bird as a tribute immediately after hearing of Otis Redding’s death. Grammy-winner Mike Mangini was one of the producers on Stone’s CD

Nothing New In Brief About Tom In Today’s Variety Blog

from varietyAs we reported April 30, Tom is recording for S-Curve Records.

In an old-news post today on Variety’s blog, The Set List they report the same information but, being very US-centric and not too accurate, they neglect the success of Reload in the UK and the watered-down Reloaded: Greatest Hits in North America.

But the photo they ran is nice to see.

In another article posted on Variety.com today, you can learn about S-Curve records and label founder Steve Greenberg.

We just hope if a CD comes out of all this, it is released here in North America.

Tom Earns A New “Crown” As “King Of Murky Lyrics” With “Delilah” & “Green, Green Grass”

In his column in the Monday, July 16th Guardian columnist Charlie Brooker takes a look at what he calls “murky” lyrics. That is, song lyrics that sound nice — even cheerful — but which, on closer inspection, are actually tasteless and ominous. He says at the top of his article “Let’s hear it for murky lyrics. Well, not out loud, of course, because they’re probably too obscene.” We must note that in the TJ lyrics he writes about, he says what we’ve said…..just kind of funny. Guess the magic is in the music, not the lyrics, when people adopt an anthem. He takes on Gary Puckett’s Young Girl, and Sting’s Every Breath You Take. We hope you’re not offended by the language and, further, must admit we never thought of Green Green Grass as a sequel to Delilah. Did you? Anyway, he writes:


“The absolute king of unexpectedly murky lyrics, however, is Tom Jones. Take Delilah: on the face of it, a rousing sing-along anthem; a cross between a hen party and the good-natured gusto of a beer hall. Yet its sentiments are black as pitch. It opens with the paranoid narrator strolling past Delilah’s house and spotting ‘the flickering shadows of love on her blind’ — a poetic way of describing a blow job viewed in silhouette. ‘She was my woman,’ he declares, adding that ‘as she deceived me I watched and went out of my mind’. There’s a very real chance, of course, that Delilah isn’t ‘his’ woman at all, just a random stranger.




“Thus deranged, the narrator stands outside her house until dawn, at which point the situation rapidly worsens. ‘At break of day, when that man drove away, I was waiting/I crossed the street to her house and she opened the door/She stood there laughing/ I felt the knife in my hand, and she laughed no more.’ As far as chilling economy of language goes, ‘I felt the knife in my hand and she laughed no more’ is up there with Edgar Allan Poe. And it gets nastier still. The psychotic murderer (played by Tom Jones, remember) sings the final lines to his victim’s corpse. ‘So before they come to break down the door/Forgive me Delilah/I just couldn’t take any more.’ Tom Jones is on his knees, sobbing over the body of a woman he has just stabbed to death — and blaming her for bringing it on herself. The Sun Has Got His Hat On it ain’t.




“The Green, Green Grass of Home functions as an unofficial sequel. To casual listeners, it is a nostalgic evocation of valley life, in which Tom visits his home town, meets his mum and dad, spots his childhood sweetheart, and smiles at an old oak tree he used to play on. And then in the final verse: whammo! Tom wakes up. It’s all been a dream. He’s actually in a prison cell on death row (‘four gray walls surround me’), and the padre’s just arrived to walk him to the electric chair. As for the ‘green, green grass of home’ — they’re going to bury him under it.

Vintage Video Of The Man in 1965, ‘68

close up 1968




Just for fun, here’s some vintage video of Tom from 1968 and, in one of his first TV appearances he does Chills and Fever in 1965 on BBC2’s show, The Beat Room.

Next (and in this photo) he’s doing Delilah on TV in the UK in 1968.

Finally, we have his Delilah on the Ed Sullivan Show, April 21, 1968. We know this wasn’t the first time Tom did the song on the Sullivan show because in this clip he didn’t have to change the lyric so it wouldn’t seem as if the man had spent the night with Delilah. This clip is from Ed Sullivan’s Rock ‘n’ Roll Classics, a 2002 nine-DVD set of performances from Sullivan’s classic CBS TV show. (The narration — uncredited everywhere — sounds like it may be by Cousin Brucie.)

Perfect Music For A Lazy Summer Day

tj and stereoophonics










Here’s Tom with The Stereophonics — Kelly Jones on lead vocals — singing the Gershwin classic, Summertime.

This video was recorded on March 7, 2000 for Dutch TV. The producers were not impressed by The Stereophonics and they were glad that “Mr.Professional,” Tom Jones (that’s what they called him) was there with “three great backup singers” — The Stereophonics. This photo was taken during the set.

We wouldn’t call The Stereophonics a “backup band” but, whatever, it’s great music for this time of year and quite a departure from Mama Told Me Not To Come.

Enjoy!

Thanks so much to Johan for the info and the photo!