Here’s how it began:
The spotlight went up on Tony Reynolds after the opening video ended with the sheep hurtling through space. Tony rallied the crowd, exhorting everyone in the room to welcome “onstage tonight — for the first time since he was knighted — SIR Tom Jones!”
We truly beg your forgiveness for our inability to stop gushing like teenyboppers but, when Tom walked out, we gasped. In sheer, absolute delight. For, even though the 2006 show features the same set list we’ve gotten to know, the loose shirt with plain dark trousers is gone.
In it’s place? A gorgeous dark blue silk suit with a hint of violet, a suit jacket with a deep lime green lining and a white shirt with very small ruffle running up the front. *(This photo does not begin to do justice to the suit — or the man — but will have to do until a better picture comes along. Feel free to send one.)* The way he very often put his hand in his pocket — seemingly not quite used to a suit onstage — and fumbled with the shirt buttons while opening the collar and took out his cross was — *gush alert!* — actually very human and sweet.
He looks younger, cooler. In a word, he looks great.
Also new is Michael Mennell, the bass player who is replacing Les King. You can read a bit more about Michael and see his photo on our On Stage & Behind the Scenes page. (He was even kind enough to pick the winner of the tomjonesinternational.com t-shirt from our survey respondents. That information will be posted soon.)
The lighting, too, is new. Lots of blue that serves to showcase Tom beautifully. It’s more subtle (except for the wild effects during *What’s New Pussycat*) and warmer.
For this opening night, a January Thursday after a long holiday weekend, there was a kind of quiet crowd. Or, at least, quiet in the sense that they tended to stay in their seats. But, they were an enthusiastic bunch. The first of the three thongs thrown (try saying *that* three times) hit the stage only near the end, during *You Can Leave Your Hat On.*
But a well-deserved and enthusiastic standing O shook the house before and after the encore.
The entire performance was, as always, just a joy to watch. And, when Tom finally took off the jacket — not during *Delilah* like he used to (remember?) — but for *200 Pounds*, the crowd roared.
While we’d still love the to setlist change, Tom was as always the consumate showman. Each time we hear him — even though, as we’ve said before, we know the nusic and the patter — it’s a new experience. And that is Tom Jones’ genius. You never get tired watching him because his delight in, and love of, what he’s doing is contagious and that makes it always fresh.
Each note is a gift to the audience and Tom Jones’ ability to offer those notes is *his* unique gift.
*Ellen & Ursula*